![]() I discuss the early design process and my most important informational resources. |
![]() Here an equation for determining fret spacing is not-so-rigorously derived. |
![]() A quick blurb on the body template and guitar workboard. |
![]() The neck roughly takes shape when the headstock and heel block are constructed. Also the truss rod is built and and a slot is routed for it. |
![]() The body plates are trued and glued. |
![]() By some miracle a soundhole rosette is successfully installed into the soundboard. |
![]() Soundboard bracing is planned and constructed. |
![]() I make my own bending iron and then talk about what did and did not work for me when I tried to use it. |
![]() I install kerfing to the sides and glue them down to the soundboard. |
![]() The backplate is essentially finished when the center seam inlay is installed and the back bracing is constructed. |
![]() Binding is installed along the edges and center seams of the body. |
![]() The dovetail neck joint is planned and cut. |
![]() The neck is carved from the headstock to the heel with only some fine tuning left to do. |
![]() A rosewood blank is turned into a fretboard and a really smart friend makes it possible to do a compound radius. |
![]() The Bridge is shaped from a blank block of rosewood. |
![]() The headstock inlay is installed. |
![]() A lacquer finish is sprayed onto the guitar, frets are installed, the bridge is glued on and the nut and saddle are shaped. |
![]() The guitar is finally finished. Hear what the guitar sounds like as I strum around. |
Planning and Design | Fret Spacing Calculation | Template and Workboard | Building the Neck | Making the Body Plates | Soundhole Rosette | Soundboard Bracing | Bending the Sides | Gluing Sides to the Soundboard | Creating and Installing the Back Plate | Binding the Body | Making the Dovetail Neck Joint | Carving the Neck | Making the Fretboard | Making the Bridge | Creating the Headstock Inlay | Finishing | The End Product